PERIODICALS;
2017
Crisell, Hattie. “Old Photographs That Capture America at a Crossroads.” T Magazine: The New York Times, 24 January 2017.
Lipton, Shana Ting. “Joel Sternfeld on His Classic American Prospects – and His New Work.” British Journal of Photography (online), February 7, 2017.
“Parco degli Acquedotti: Joel Sternfeld, 1989-1991” Lotus International: Archaeological Parks, no. 162 (2017): cover, 48-53.
O’Hagen, Sean. “The Drifter: Joel Sternfeld on His Sly Glimpses of Wild America.” Guardian, 11 January 2017.
2016
Smee, Sebastian. “Impressive Show Navigates Landscape and the Sublime.” Boston Globe, 8 August 2016.
“What We Wore.” New York Magazine, May 16-29, 2016: 55-56.
2015
Heuer, Renko. “Color Coordination.” Lodown 97, August/September 2015: 102-107.
Stuart Huges, Holly. “End Frame—Lessons in Seeing.” PDN, March 2015: 96.
2014
Blind Spot, no. 47 (Spring/Summer 2014): 85.
Cunningham, Michael. “Sleepless.” Document, no. 5 (Fall/Winter 2014): 402-403.
Jiang, Rong. “Joel Sternfeld: American Utopia and Its Discontents.” Photoworld 391 (July 2014): 66– 77.
Pitz, Marylynne. “Lens on the World.” Pittsburgh Post-Gazette, 22 January 2014: C1-C3.
“Save the Tracks: The Fight to Save one of Manhattan’s Last Untamed Expanses.” Welcome to the High Line at the Rail Yards, Fall 2014: 21.
2013
“Joel Sternfeld’s Best Photograph When Climate Change Sinks In.” Guardian, 20 February 2013.
Lelyveld, “Inside Our New America” in The New York Review of Books 60, no. 10 (6 June 2013): 27. “
“Nejvetší svoboda je v tvorbe neužitečného.” Era 21, no. 1 (2013): 27.
Sternfeld, Joel. “Momentary Views.” Aesthetica, no. 54 (August/September 2013): 38–49. portfolio.
Wolinski, Natacha. “American Prospects.” Air France Magazine, February 2013: 76–83.
2012
Assenat, Marie. “Joel Sternfeld.” New Yorker, 30 January 2012: 9.
Bright, Susan. “Profile: Joel Sternfeld—First Pictures.” British Journal of Photography, January 2012: 52– 63.
Durand, Regis. “Unrestricted View.” L’architecture d’aujourd’hui, no. 388 (March–April 2012): 134–43.
Gaebe, Carly. “Color Is the Real World: Joel Sternfeld at Luhring Augustine.” Artinamericamagazine.com, 11 January 2012.
Helle, Nancy. “Art of Exploration: A Rewarding Journey at the Westport Arts Center.” Venü Contemporary Culture, no. 14 (July/August 2012): 26-27.
Keats, Jonathon. “Do Not Trust This Joel Sternfeld Photograph.” Forbes, 6 September 2012, www.forbes.com/sites/jonathonkeats/2012/09/06/do-not-trust-this-joel-sternfeld-photograph/
Markus, David. “Joel Sternfeld: Luhring Augustine.” Art in America, no. 7 (March 2012): 158–59.
Menou, Antigoni. “Globalisation and the Art Photography of Joel Sternfeld.” Photographies 5, no. 1 (March 2012): 3–18.
Meyers, William. “On Photography: Joel Sternfeld: First Pictures.” Wall Street Journal, 14–15 January 2012: A20.
Rushton, Susie. “Road Trip: Joel Sternfeld’s Arizona.” Independent Magazine, 4 February 2012: 36–37, 39.
Walsh, Brienne. “Joel Sternfeld.” Art Review, no. 57 (March 2012): 125.
Wetzker, Wibke. “Revolutionskino Im Jahre Null: Ein Besuch beim Abu Dhabi Film Festival.” Spex, January/February 2012: 104-109.
2011
“2011 Swim Suit Issue.” Dear Dave, Spring 2011: 31.
“Amerika in Farbe.” Heinz Magazin, July 2011.
“Amerikanische Augenblicke.” Kunstmarkt.com, 20 July 2011.
App, Volkhard. “Landvermesser des Amerikanischen Kontinents.” Dradio.de, 15 July 2011
Artz, Kerstin. “Bilder vom tristen Amerika.” Rheinische Post, 9 August 2011.
Ausstellung: Museum Folkwang, Essen.” Kultur-geniessen.de, 4 July 2011.
Bartel, Jörg. “Die Ironie steckt im Detail.” WAZ/NRZ, 15 July 2011
Bicker, Phil. “Joel Sternfeld: A Modern Master’s First Pictures.” Time Lightbox [blog], 12 October 2011, http://time.com/3781693/joel-sternfeld-a-modern-masters-first-pictures/.
Bochynek, Martin. “Die Amerikanische Alternative,” Kölner Stadtanzeiger, 19 July 2011.
Bodin, Claudia. “Amerikas Darling.” Art Magazin, August 2011: 62–71.
Boisseree, Clemens. “Eine Prise Sonnenschein für’s Folkwang.” NRZ, 22 July 2011
Büsing, Nicole and Heiko Klaas. “Nah Dran und in Farbe.” Kunst in Argentinien.de, Argentinien, 22 August 2011.
Büsing, Nicole and Heiko Klaas, “Panorama Amerikanischer Augenblicke.” Saarbrücker Zeitung, 22 July 2011.
Capodici, Chiara. “Unfulfilled Utopias,” trans. Riccardo James Vargiu. Lazlo Magazine: On Dwelling, no. 0 (2011): 80–81.
Davies, Lcy. “Revealing Landscapes.” Telegraph Magazine, 24 September 2011: 56–63.
Denkeler, Friedhelm. “Joel Sternfeld-Der Vertreter der “New Colour Photography” im Museum Folkwang in Essen.” Denkeler-Foto.de, 2 August 2011.
Deuter, Ulrich. “To Look for America.” K. West- Das Kulturmagazin des Westens, July/August 2011.
Häntzschel, Jörg. “Amerika auf der Sper.” Süddeutsche Zeitung, 11 July 2011.
Hesse, Kai-Olaf. “No Retrospective! Die Grammatik des Anliegens.” PhotoNews, September 2011: 8.
Hoffmans, Christiane. “Die Entdeckung Amerikas.” Welt am Sonntag, 8 August 2011.
Hohmann, Angela. “Amerika satt in Farbe.” Kunst und Auktionen, September 2011.
“Joel Sternfeld, ‘Farbfotografien seit 1970.’” Monopol, October 2011: 131.
“Joel Sternfeld, Farbfotografien seit 1970.” Photopresse.de, July 2011.
“Joel Sternfeld,” Blind Spot, no. 44 (2011): 65–72.
“Joel Sternfeld im Museum Folkwang.” Kulterkenner.de, August 2011.
Kirk, Emma Von. “Die Welt, in der wir leben.” Newsline Westdeutsche Zeitung, 27 July 2011.
Koldehoff, Stefan. “Er hat den Farbfilm nicht vergessen.” Die Welt, 5 August 2011.
Kothenschulte, Daniel. “Joel Sternfeld in Essen.” Monopol, September 2011: 115-117.
Kröner, Magdalena. “Spaziergang auf der Hochbahnstrecke.” Frankfurter Allgemeine Zeitung, 5 August 2011.
Kuhn, Thomas W. “Joel Sternfeld: Farbfotografien seit 1970.” Kuntsforum, September 2011: 334-336
Kuhn, Wiebke Anabess and Bastian Will. “Die Bunte Welt des Joel Sternfeld.” Financial Times Deutschland, 18 July 2011..
Kuhna, Martin. “Ey Cool: Bilder!” K. West- Das Kulturmagazin des Westens, July/August 2011.
“Les Passantes Vues par Joel Sternfeld,” Connaissance des Arts Photo, Quartal 2011.
Lettmann, Achim. “Eine Balance mit Grau.” Westfälischer Anzeiger, 15 July 2011.
Lorch, Catrin. “Das Schreckliche wird immer Schöner.” Süddeutsche Zeitung, 2 September 2011, 12–13.
Lüddemann, Stefan. “Roadmovie des einsamen Jägers.” Neue Osnabrücker Zeitung, 2 August 2011.
“Museum Folkwang.” Mitteilungsblatt der Stadt Essen, 8 July 2011.
O’Hagan, Sean. “Joel Sternfeld’s First Pictures: The Opening Chapter of a Colourful Career.” The Guardian.com, September 20, 2011.
Polzer, Lydia. “Lydia Polzer’s ‘Significant Shot.’” Nova Blog, 13 January 2011.
Rong, Jiang. “The Landscape Photographs That Ansel Adams Wouldn’t Take.” Chinese Photography, no. 12 (December 2011): 25–45.
Schemmer, Julia. “Bilder des Amerikanischen Lebens.” Ruhr Nachrichten, 14 July 2011.
Schlüter, Maik. “Amerikanische Tatorte.” Taz, 23 August 2011.
Wacht, Alexandra. “American Beauty.” Art.net, 5 August 2011.
Wilmes, Hartmut. “Persönlichkeit statt gefälliger Posen.” Kölnische Rundschau, 6 August 2011.
SiteLines 5, no. 2 (Spring 2010): 3-9.
Sternfeld, Joel. “Portfolio.” foam, no. 23 (summer 2010): 175–90.
Taylor, Alex. “Staged, Startled and Photographed.” New York Observer: Home, Spring 2010: 14.
Volzke, Daniel. “Early Work.” Monopol, no. 1 (January 2010): 68–81.
Wells, Liz. “Enigmatic Landscapes.” Exit, no. 38 (May–July 2010): 48–51.
Wiley, Chris. “Castles Built on Sand: Joel Sternfeld’s iDubai.” foam, no. 23 (Summer 2010): 191–94.
2009
Edwards, Steve. “Commons and Crowds: Figuring Photography from Above and Below.” Third Text: Critical Perspectives on Contemporary Art & Culture 99, no. 4 (July 2009): 447, 460–64.
Filler, Martin. “Up in the Park,” New York Review, 13 August 2009: 12-14. Interview, Metropolis, www.arte.tv, August 15, 2009.
Kerouac, Jack. “On the Road.” Exit, no. 34 (May–July 2009): 76–100.
“On This Site.” Ein Magazin über Orte, no. 5 (Spring 2009): 49–53.
Pollack, Barbara. “Into the Sunset: Photography’s Image of the American West.” Time Out New York, no. 706 (9–15 April 2009): 51.
Tessmer, Leonie. “Hoch Gewachsen.” 21 grad: Das Vaillant Magazin, Winter 2009: 32–33.
Wolinski, Natacha. “Joel Sternfeld: A Corrosive Truth.” Paris: Beaux Arts Editions : 200–201.
Yochelson, Bonnie. “The United Nations of Queens.” New York Times, 4 January 2009.
2008
Crewdson, Gregory. “In a Lonely Place.” Aperture, no. 190 (Spring 2008): 80.
Ehrlich, Gretel. “Joel Sternfeld: Oxbow Archive.” Aperture, no. 192 (Fall 2008): 74-81.
“Joel Sternfeld.” New Yorker, 29 September 2008, 16.
Johnson, Ken. “Art in Review: When Color Was New: Vintage Photographs from around the 1970’s.” New York Times, 8 August 2008.
Lili, Yang. “On Joel Sternfeld’s Photography.” Art China, no. 8 (2008): 52-57.
Riethmüller, Susanna. “Lebe Lieber Ungewohnlich.” Flair, May 2008: 88-94.
Sholis, Brian. “Joel Sternfeld, Luhring Augustine.” Artforum, November 2008: 349.
Solway, Diane. “Peter Doig” W, November 2008: 276, 279.
Ventur, Conrad. “When it Changed.” Useless, no. 8 (2008): 11.
Vetrocq, Marica E. “Rules of Engagement.” Art in America, no. 6 (June/July 2008): 172–73.
Yochelson, Bonnie. “Little Boxes, Transformed by the Years.” New York Times, 26 December 2006.
2007
Artner, Alan. “Joel Sternfeld’s Pictures Point to Grand ‘Prospects.’” Chicago Tribune, 19 October 2007, 7:24.
Jimenez, Carlos. “Photo España: The Landscape as a Problem.” ArtNexus 6, no. 63 (2007): 120–23.
Jobey, Liz. “Street Pictures: Joel Sternfeld.” Granta: The Magazine of New Writing, no. 99 (Fall 2007): 65–83.
“Joel Sternfeld: Experimental Utopia in America.” archphoto.it, 2007. http://archivio.archphoto.it/2007/09/26/joel-sternfeld_experimental-utopia-in-america
Kerr, Merrily. “Portraits.” Time Out New York, 8–14 November 2007: 69.
“Public Art Goes Green.” Art in America, no. 2 (February 2007): 31.
Sternbergh, Adam. “The Highline: It Brings Good Things to Life.” New York Magazine, 7 May 2007: 30, 32–33.
Sternfeld, Joel. “Salvation Mountain.” Cabinet, no. 27 (Fall 2007): 91.
Wolinski, Natacha. “Joel Sternfeld: Une vérité corrosive.” Beaux-arts magazine, April 2007: 182.
2006
Blind Spot: A Tribute, no. 32 (2006).
“Cover Story.” Pluk, Autumn 2006: cover, 5.
Douglas, Sarah. “Ticket to Rise.” Art and Auction, May 2006: 75.
“Exhibition at Katonah Museum Explores US Suburban Realms.” Antiques and The Arts Weekly, 6 January 2006: 64-A.
Fernández, Horacio. “Paraíso Recordado, Paraíso Perdido.” Minerva, 2006: 88-100.
Frey, James. “On Cover Photographer Alec Soth.” BlackBook, October/November 2006: 34.
Guillot, Claire. “Nature/Humaine.” Le Monde 2, 24 June 2006: 36-43
Henry Art Gallery Newsletter, Spring/Summer 2006: 5.
Hershenson, Roberta. “There’s More to It Than a Manicured Lawn.” New York Times, 8 January 2006.
“Joel Sternfeld: Sweet Earth.” foam, no. 9 (Winter 2006–2007): 15, 34–53.
Luby, Abby. “The Journey to Utopia and Back.” Greenwich Times, 29 January 2006: D3, D7.
“The Journey to Utopia and Back.” Scarsdale Inquirer, 10 March 2006: 19–20.
Pederson, Martin C. “From Here to Utopia.” Metropolis, June 2006: 148-153.
Rachleff, Melissa. “Joel Sternfeld, Sweet Earth: Experimental Utopias in America (Luhring Augustine Exhibition Review).” exposure, Spring 2006: 51.
“Shelters for the Soul.” Seven, 22 October 2006: 18-21.
“Sweet Earth: Photographs by Joel Sternfeld.” COURRiER Japon, no. 25 (12 July 2006): 43–45.
Vuijst, Freke. “Utopia bestaat- in Amerika.” Vrij Nederland, 27 May 2006: 48-57.
“Walking the High Line.” Drawbridge, no. 2 (Summer 2006): 3.
Wolinski, Natacha. “Joel Sternfeld: Mystic Fantasy.” Beaux-Arts Magazine 266 (August 2006): 70–77.
Woodward, Richard B. “Altered States.” ARTnews, March 2006: 108–9.
2005
Adams, Lucia. “When it Comes to Photography, Variety Rules in Chelsea.” Chelsea Clinton News, 13-19 October 2005: 6.
Amy, Michaël. “‘You Talkin’ to Me?’ Violence in Contemporary Art.” (Ph. D. Dissertation)
Braunschweiger, Amy. “Paradise Lost.” Village Voice, 16–22 November 2005: 38. Cotter, Holland. New York Times, 2 October 2005: 35.
New York Times, 14 October 2005: E36.
Diaz, Eva. “Joel Sternfeld, Sweet Earth: Experimental Utopias in America.” Time Out New York, 20 September–5 October 2005: 92.
Finkel, Jori. “A Career in Pictures.” Art and Auction, February 2005: 86–88.
Gefter, Philp. “Portraits of American Paradises, Mostly Lost.” New York Times, 18 September 2005: 32.
Gurganus, Allan. “Nags Head, North Carolina, June 1st, 1956, 73 Degrees.” Aperture, no. 180 (Fall 2005): 16–23.
Lisalo, Meri. “Minun Amerikkani.” Image, January 2005: 94–99. “Nasil Bir Hayat Isterdiniz?” Geniş Açı, 2005: 26-27.
Powers, Bill. “Sternfeld’s Sweet Spot.” Black Book, Fall 2005: 42.
Review of American Prospect. In “The American Dream,” special issue of Boldtype, no. 7 (May 2004).
Schwendener, Martha. “Joel Sternfeld / Luhring Augustine.” Artforum, December 2005: 277–78.
“Shooting Eden.” British Journal of Photography 152, no. 7561. 7 December 2005: 24-27.
2004
Aletti, Vince. “Flashback.” Art and Auction, February 2004: 66–78.
“Photobook.” Photograph, March/April 2004: 52.
Amy, Michael. “Joel Sternfeld, Luhring Augustine.” Art in America, May 2004: 157.
“Art: Citigroup Photography Prize.” The Independent, 24 January 2004.
Auletta, Ken. “Fortress Bush.” New Yorker, 19 January 2004: 58–59.
Bennett, Oliver. “Out of the Ordinary.” Design Week, 8 January 2004.
Blank, Bill. “American Prospects by Joel Sternfeld.” 134.
Chapman, Peter. “Citigroup Prize.” Independent, 24 January 2004.
“Citigroup Prize Winner Announced.” Art on Paper 8, no. 5 (May/June 2004): 15. “The Citigroup Prize 2004.” Attitude, January 2004.
“The Citigroup Photography Prize 2004.” HotShoe, December 2003/January 2004.
Crewdson, Gregory. “Aesthetics of Alienation,” Tate Etc. 1, no. 1 (Summer 2004): 42–47.
Dyer, Geoff. “American Pastoral.” The Sunday Telegraph Magazine, 28 March 2004: 28-31.
Etholén, Katrina. “Joel Sternfeld: Maisema yhteisön kuvaajana.” Kamera, June-July 2004: 10-16.
Frankel, Stephen Robert. “Joel Sternfeld at Luhring Augustine.” Art on Paper 8, no. 5 (May/June 2004): 82–83.
Gefter, Philip. “Why Photography Has Supersized Itself.” New York Times, 20 April 2004.
Greenwood, Phoebe. “Love, Or At Least Collaboration, Is in the Air,” The Times, 2 February 2004.
Güner, Fisun. “Snap Happy.” Metro London, 3 February 2004.
Hackworth, Nick. “Images of Wonder from a US Road Trip.” Evening Standard, 29 January 2004
Halle, Howard. “Blow Up.” Time Out New York, 22–29 January 2004: 55.
Higgins, Charlotte. “Photography; False Witness.” Guardian, 10 March 2004.
“An Ideal World.” In “Sustainability,” special issue of Daylight Magazine, no. 3 (Fall 2004).
“I Grandi Scatti di Joel Sternfeld: Affari in vista per collezionisti rapidi e raffinati.” Arte, April 2004: 206.
“Joel Sternfeld.” New Yorker, 26 January 2004: 16.
“Joel Sternfeld: The Landscape of Longing.” Blind Spot, no. 26 (2004).
Louth, Sean. “Veteran Four Set For Citigroup Shoot-Out,” British Journal of Photography, 4 February 2004.
Meyers, William. “Those Nice, Bright Colors.” New York Sun, 5 February 2004: 18.
Milani, Joanne. “Photographic Visions.” The Tampa Tribune , 22 February 2004.
O’Hagan, Sean. “Driven to the Edge.” Guardian, 1 February 2004.
Pittman, Joanna. “Rearview Mirror: The Shortlist for the 2004 Citigroup Prize Shows a Surprisingly
Retrospective Bent.” London Times, 3 February 2004.
Pollack, Barbara. “Art Basel: Roland Augustine.” Art and Auction, June 2004: 72.
Rae, Ines. “More Plant Matters: Everything’s Gone Green, Photography and the Garden and Simone
Nieweg: Landscapes and Gardens are at NMPFT, Bradford 21 May—26 September.” Source, Summer 2004.
Rosenberg, Karen. “Hue and Cry.” New Yorker, 12 January 2004: 79.
Salter, Kate. “Critics’ Choice.” The Sunday Telegraph, 25 January 2004.
Schambelan, Elisabeth. “Joel Sternfeld, Luhring Augustine.” Artforum, April 2004: 158.
Schappel, Elisa. “Hot Type.” Vanity Fair, April 2004: 128.
Schuman, Aaron. “I Walk the Line.” Introduction by Joel Sternfeld. ArtReview 54, October 2004: 74.
Searle, Adrian. “Smashing Pumpkins.” Guardian, 29 January 2004.
“Short List.” Village Voice, 4–10 February 2004: 52–53.
Shuckburgh, Hannah. “Agenda.” ARTReview, March 2004: 26.
Smee, Sebastian. “The Citigroup Photography Prize,” Daily Telegraph, 24 January 2004.
New York Times, 18 January 2004: 30.
Ward, Ossian. “And the Winner Is . . .” Art and Auction, October 2004: 118–23.
Waxman, Lori. “Picturing Failure.” Parachute, July–September 2004: 30–45.
Woodward, Richard B. “Joel Sternfeld versus His Successors.” New York Times, 18 January 2004: 30.
2003
“American Virtuoso.” ARTReview, February 2003: 30–32.
“America the Improbable.” New York Times, 7 January 2003.
Badke-Berkow, Joseph. “Green Sky.” Paper Sky, no. 6 (Summer 2003): cover, 46-51.
Chapman, Peter. “Joel Sternfeld: The Photographers’ Gallery, London.” Independent, 11 January 2003.
“Citigroup Shortlist Rings the Changes.” British Journal of Photography, 12 November 2003
Clayton, Richard. “Decent Exposure.” Design Week, 12 December 2003.
Cooper, Emmanuel. “Everyday Paradoxes.” Tribune, 17 January 2003.
Ezard. John. “Citigroup Prize: Study of South African Commuters Shortlisted.” Guardian, 4 November 2003.
Hallet, Florence. “Joel Sternfeld.” What’s on in London? 8 January 2003.
“Joel Sternfeld.” Free Eye Magazine, February 2003.
“Joel Sternfeld: The Photograph’s Gallery.” Art Newspaper, January 2003.
Moakley, Paul. “Life on the Road: Joel Sternfeld on Robert Adams.” PDN, June 2003: 144.
Oddy, Jason. “Making the Past Present.” Modern Painters, Summer 2003: 26–28.
“Set in the Citi.” Panorama, October 2003.
2002
Anderson, Hephzibah. “Opening This Week Joel Sternfeld.” LIFE, 29 November–5 December 2002.
Cavouras, Krissa Corbett. “View Master.” American Photo On Campus, September 2002: 18-21.
Connors, Philip. “A Magic-Carpet View of the City.” Wall Street Journal, 22 August 2002.
Guner, Fisun. “That’s All Folks.” METRO, 5 December 2002.
Hattam, Jennifer. “Restoration Art.” Sierra, May/June 2003: 48-49.
“Joel Sternfeld/The John Hinde Butlin’s Photographs, London.” Guardian, 29 November 2002.
Kaiser, Mario. “Die Insel der Toten.” Mare, no. 33 (August/September 2002): 91-97.
The Photographers’ Gallery Magazine, 8,19. April-May 2002.
Robinson, Walter. “Book Report.” Artnet.com, 26 June 2002. http://www.artnet.com/Magazine/index/robinson/robinson6-26-02.asp.
Sternfeld, Joel. “Beautiful Dreamers: Utopia in America.” Doubletake, no. 28 (Spring 2002): 50–55.
Tarshis, Jerome. “Joel Sternfeld at SFMOMA.” Art in America, no. 3 (March 2002): 139.
Traub, James. “A Lesson in Unintended Consequences.” New York Times Magazine, 6 October 2002: 71.
2001
Bonetti, David. “Sternfeld’s Photos Make Up Eclectic American Portrait.” San Francisco Chronicle, 6 July 2001.
Coupland, Ken. “Critic’s Choice: Joel Sternfeld.” The Monthly, July 2001.
Gopnik, Adam. “A Walk on the High Line.” The New Yorker, 21 May 2001: 44-49.
Hummer, Tracey C. “High Hopes for the High Line.” Art in America, October 2001: 192.
Lazere, Arthur. “Stranger Passing: Collected Portraits by Joel Sternfeld.” Culturevulture.net, 7 July 2001. http://www.culturevulture.net/ArtandArch/Sternfeld.htm
Najafi, Sina. “On the High Line.” Cabinet, no. 3 (Summer 2001): 44-47.
“On This Site: Landscape in Memoriam.” Australian PhotoJournalist 7, no. 1 (2001): 25-30.
“Parks Transformed.” DoubleTake, Special Edition 2001: 8-11.
“San Francisco Treats: Stranger Passing: Selected Portraits by Joel Sternfeld.” Flaunt, July 2001.
Smith, Roberta. “Art in Review.” New York Times, 28 December 2001
Ttruax, Alice. “At the Museums: Americans.” New Yorker, 9 July 2001: 90.
Whitehead, Colson. “The Image.” New York Times Magazine, 23 September 2001: 21.
Woodward, Richard B. “Portraits Picked Out of The Crowd.” New York Times, 19 August 2001: 29, 31.
1999
Woodward, Richard B. “In an Indoor Age, the Streets Remain His Studio,” New York Times, 12 December, 1999.
1998
Grundberg, Andy.“Photography: Review: Hart Island by Melissa Hunt and Joel Sternfeld.” New York
Times, 06 December 1998, p.60.
Hoffmann, Detlef. “Re-Visionen.” Fotogeschichte vol. 18, issue 67 (1998), p. 73-77.
Jobey, Liz. “Photographer Joel Sternfeld: Close Encounters.” The Guardian, 17 October, 2008.
Plath, Nils. “Hart Island: eine Reise zu einer verbotenen Grabstatte [Hart Island: a journey to a forbidden cemetery.” Kunst Bulletin 11 (November 1998): 16-21.
1997
Altwegg, Jürg. “Als Wäre Nie Etwas Geschehen.” Frankfurter Allgemeine Magazin, no. 44 (31 October 1997): 24-30.
Artner, Alan. “Crime Scenes: Joel Sternfeld’s Photographs Quietly Recall Acts of Violence.” Chicago Tribune, 24 January, 1997.
DoubleTake 3, no. 1 (Winter 1997): cover, 4.
Engley, Hollis L. “Ghosts of Violence.” Detroit News, 28 February 1997.
Loke, Margarett. “Scenes to Make You Say ‘Oh Boy!’” New York Times, 25 July 1997.
1994
Flaherty, Dolores and Roger Flaherty. “Achieving a Sense of Where You Are.” Chicago Sun-Times, 12 June 1994: 15.
Goldberg, Vicki. “A Baedeker to America in the Age of Anxiety.” New York Times, 13 February 1994: 34, 36.
Homes, A. M. “Haunting Grounds: Joel Sternfeld’s Crime Sights.” Artforum, March 1994: 78–83.
Hurley, Jack. “Ambiguity Keeps Viewer Seeking Hidden Meanings.” Commercial Appeal, 15 May 1994.
Strand, Monica. “Windows on America, Gates to its Gardens.” Sun-Sentinel, 10 April 1994.
Wilson, Mark. “Looking at Everyday Places with Wit, Color, and Detail.” Boston Globe, 3 April 1994.
1992
“From Home to Rome, New Photography Collections.” USA Today, 11 December 1992.
Thall, Larry. “Sterfeld Captures Contemporary America’s Ambiguity.” Chicago Tribune, 17 July 1992: 80-81.
1991
Goldberg, Vicki. “In the Ruins of Rome.” American Photo, January/February 1991: 50-51.
Hagen, Charles . “The Campagna Romana Viewed by Joel Sternfeld.” New York Times, 20 September 1991: C22.
“Joel Sternfeld: The Faces of America.” American Photo, May/June 1991.
“Joel Sternfeld.” The Village Voice, 15 October 1991.
Kimmelman, Michael. “Joys and Terrors on the Home Front.” New York Times, 27 September 1991: B6.
“Photography.” New Yorker, 14 October 1991.
Plagens, Peter. “A House is not a Home.” Newsweek, 21 October 1991: 62-63.
1990
Jones, Peter C. “Hot Photographers.” Connoisseur, November 1990: 150-155, 185.
1989
Aperture,no. 114: Self and Shadow (Spring 1989): 40-42. Art News 88, no. 4 (April 1989): 145.
Foerstner, Abigail. “2 Exhibits Portray the Relationship of Artist and Subject.” Chicago Tribune, 30 June 1989: 81-82, 84.
Jeffrey, Ian. “Time and its Contents.” The Royal Academy Magazine, Autumn 1989: 19-22.
Lacayo, Richard. “Drawn by Nature’s Pencil.” Time Magazine 133, no. 9 (27 February 1989): 67.
Newsweek Magazine 114, no. 8 (21 August 1989): 52.
“Street Scenery.” Smart Magazine, no. 6 (November/December 1989): 24-25.
1988
Degener, Patricia. “America: As Is.” St. Louis Post-Dispatch, 14 January 1988.
Dorsey, John. “Discovery is Part of the Pleasure of Joel Sternfeld’s Photographs at BMA.” Today, 29 June 1988.
“Joel Sternfeld Photographs at the Baltimore Museum of Art.” Antiques and The Arts Weekly, 17 June 1988: 9.
Life Magazine 11, no. 10: 150 Years of Photography (Fall 1988): 12-13.
Purchase, Steve. “Sternfeld’s Photos Intriguing, Delightful.” The Evening Sun, 11 August 1988.
1987
Berryhill, Michael. “‘Prospects’: Promise and Pain in the USA.” USA Today, 7 April 1987.
Chadwick, Susan. “Sternfeld ‘Prospects’ Rich Vein of America’s Nature.” The Houston Post, 5 April 1987: 4F.
Chahroudi, Martha. “Twelve Photographers Look at Us.” Philadelphia Museum of Art Bulletin 83, nos. 354–355 (1987): 29.
Connoisseur, July 1987, 18.
Freudenheim, Susan. “Suburban Hamlets.” Artforum, May 1987: 137.
“In Search of America.” New York Times Magazine, 15 March 1987: 32- 35.
Lacayo, Richard. “Lovelorn Tracts, Minced Wilderness: Jousting with the Landscape in Joel Sternfeld’s America.” TIME, 20 April 1987: 84.
Levin, Eric. “American Prospects.” People Magazine 27, no. 22 (1 June 1987): 12.
Levin, Eric. “Twelve Photographers Look at Us.” People Magazine, 18 May 1987: 28-29
Livingston, Kathryn. “We the People.” American Photographer, July 1987: 30-32.
Roth, Evelyn. “American Dreams.” American Photographer 19, no.3(September 1987): 48-53.
Sozanski, Edward J. “An Unsentimental Focus on America.” Philadelphia Inquirer, 26, April 1987.
1986
Grundberg, Andy. “Photographers Who See Beyond Fact.” New York Times, 7 September 1986: 43-44.
Muller, Peter O. “Are Cities Obsolete?” The Sciences, March/April 1986: 46-47.
1985
Art, Das Kunstmagazin, July 1985: 50-59.
Wise, Kelly. “Realism Invades the Landscape.” Boston Globe, 12 April 1985.
1984
Brenson, Michael. “A Critic’s Walk Through the New Modern Museum.” New York Times, 18 May 1984: C22.
Grundberg, Andy. “Photography View; A New Era of Image-Making.” New York Times, 30 December 1984.
McDarrah, Fred. “An Opinionated Survey of the Week’s Events: Photo.” The Village Voice, 6 November 1984.
“Critic’s Choice,” New York Times, , 6 October 1984.
Starenko, Michael. “Words and Pictures,” Afterimage, October 1984.
Thornton, Gene. “Critics’ Choices,” New York Times, 14 October 1984.
Wachs, Mary. “Ironic Harmonies.” Aperture, no. 96 (Fall 1984): 16-28.
1983
Asahi Camera, January 1983: 13-18.
Life Magazine, January 1983: 41-42.
1982
Art in America 70, no. 1 (January 1982): 27, 31.
Karmel, Pepe. “Joel Sternfeld at Daniel Wolf.” Art in America, Feburary 1982: 143.
“Joel Sternfeld.” Artforum, January 1982: 77-78.
1981
Davis, Douglas. “A Call to Colors.” Newsweek Magazine, 23 November 1981: 115-116.
Groenfeldt, Tom. “Soothing Portrait of America.” The Record, 20 October 1981.
Grundberg, Andy. “The Incredible Commonplace.” New York Times, 25 October 1981: 29.
Hedgpeth, Ted. “Cultivation and Alienation.” Artweek 12, no. 38 (14 November 1981): 11.
The New Republic, 16 December 1981: 30. New York Times, 30 August 1981: 29.
1980
Grundberg, Andy. “Inhabited Terrain: Joel Sternfeld’s American Landscapes.” Modern Photography 44, no. 3 (March 1980): 82-89.
“Recent Landscapes: Photographs by Joel Sternfeld.” Camera Arts, Premier Issue (November-ecember 1980): 46-55.
1979
Modern Photography 43, no. 3 (April 1979): 10.
1978
Modern Photography 42, no.12 (December 1978): 24.
1977
Camera 56, no. 7 (July 1977): 31.
Porter, Allan. “Photographis Interruptus.” Camera, vol. 56, no.11 (November 1977): cover, 16–24.
Modern Photography 41, no.7 (July 1977): 75.
1976
Modern Photography 40, no. 2 (February 1976): 78.
1975
Modern Photography 39, no. 8 (August 1975): 74.
